Do Not Disturb

Solid                     -                  Liquid
Closed                   -                 Open
Mono                    -                  Poly
Unity                     -                 Multiplicity
Known                  -                 Unknown

Strife [polemos] is father to all


We are a glass of water. At the bottom of our glass is a layer of sediment. Most of the time the glass is still and the sediment remains undisturbed, and most of the time we like it this way. Every now and then, however, the glass is shaken; and up swirls the sediment, around and around, before settling down at the bottom in a new formation. Again the glass is still, the sediment undisturbed. Sometimes the glass is still for a long time, and we may do our best to keep it that way.

We are a self-corrective system, and we are balanced (or at least, balanced-enough). Like everything in existence, in order to retain our integrity we must maintain our balance. Sometimes, however, we become unbalanced, and this can be a very unsettling state of affairs. If our system is to continue working then we must return to the old balance, or find a new one.

But always we must return to balance: this is the dictate of our system.

When was the last time you were challenged, really challenged?

How did it feel?

Did it feel like you were coming apart, like you didn't know who you were anymore?

Disintegration. Perhaps this is a requisite of the true challenge: that it must, in some way, cause you to fall apart, at least a little.

It may be true that most of the time we are that glass of water; and that our views, ideas, habits, behaviours - all these things of which we are composed - settle like sediment down at the bottom, where they remain, compact and undisturbed. We could call this tranquility "balance," and if we are indeed self-corrective systems, then a balanced state is the one towards which we must strive. Our system works to conserve the truth of certain descriptive statements, to keep us true to an image. To stray from the image - to stray, for example, from "healthy" to "ill" - is to upset the balance, and such a system would not be true to itself if it allowed an unbalance to continue unchecked. Thus, we get well; become "healthy" again, whatever we consider that to be.

What is true for the individual is also true for the collectivity. Our collective assumptions, norms and conventions all settle down in our collective glass.

When we are challenged - really challenged - the glass is shaken, a disturbance that represents a departure from our balance. Shaking up prevents us from petrifying, from becoming too solid. When the sediment is shaken it can break apart and return to the water above, where it can float free. It is reminded of the properties of liquid: of what it is to be loose, and of how it feels to be carried by the current. Indeed, in throwing the system into an "imbalance", shaking also works to remind it of a larger truth: that the stasis of a balanced system can become the torpor of complacency - the rigor-mortis of pertrifaction - and that it must sometimes be thrown into relief against its opposite: that solid must sometimes be reminded of liquid lest it take its "solidity" a little too literally. The autonomy of the individual system is put into perspective, shown that our "balance" - our personal status quo - can sometimes spell imbalance within a larger context.

On a societal level, a challenge - a shaking - is often posed by things within the culture which go "beyond the pale." We know that they have gone beyond because people become "outraged" or "offended." These people represent the voice of balance, a voice that is also within each individual. They are the part of the system that does not want things to change, that wants to preserve the sanctity of its sediments, its solidity. The conservative voice - with its tendency to gather together, to keep things the same - alerts us to the fact that something is happening; that we are being shaken. It is the guardian of our descriptive statements, insisting that we stay true to our image. Through its outrage it works to preserve the status quo, and to neutralise those elements that would unsettle the system.

Whilst its role is an important one, it has a tendency to be short-sighted. It is stuck on the idea of solidity and would keep us that way forever, safe and inert. It is wary of liquid, of its chaotic swirling, its refusal to settle down, take a form. And so, in deference to the larger balance, this voice must always be challenged, its precious solidity always shaken free.

We could see a mark of "maturity" as the ability for a system both to be shaken and to shake itself. Thus, a "mature" system (society or individual) is the one that can withstand the shaking - that can contain things like dissent and transgression - without tipping into a fatal imbalance and falling apart. In a sense, a system, as long as it permits its elements that go beyond, will always be shaking itself up. It is when a system becomes unilateral - narrowing what can be said and done - that it risks rigor-mortis. Those elements that would formerly have worked to maintain its balance are pushed underground - repressed - and a widespread denial takes place. The system becomes both unhealthy and unadaptive; a rock in the evolutionary stream.

For the individual, shaking up becomes a form of mindfulness. It is a ready acceptance of challenge, a monitoring of boundaries and an awareness of assumptions. In many ways, shaking up can run counter to the flow the collectivity, which often encourages us to keep our sediments undisturbed and exalts solidity as the condition par excellence.

With its connotations of disintegration, shaking up is not something that can continue indefinitely. We cannot stay liquid; we must assume a form, strike a pose. Rather, shaking up is a necessary myth, that runs alongside and counter to that other myth: staying the same. If balance is written into our existence, then to work against it - in whatever direction - is to become dysfunctional.

Given its initial malleability, [a person's] character may have been easy to mold early in life. 

But self-organizing dynamics also suggest that the psychological results of development and experience progressively sediment as well. The potential for fundamental change diminishes over time. 

Although dynamical landscapes are never fixed and static, once established, the fundamental traits of a person's character become increasingly locked in. Changing something as basic as an adult's character and personality is enormously difficult, requiring major restructuring of the physical and social environment in which the person is situated. Absent such major restructuring, interventions to an established system, whether an adult's or that of any other dissipative structure, usually produce only minor, superficial changes. 

The robustness increasingly resists change.

[Alicia Juarrero]
Dynamics in Action, p. 254

Short Cuts

Concrete                     -                   Abstract
Simple                        -                   Complex
One                             -                    Many
Low resolution           -                    High resolution

In interpreting the world we're constantly faced with the decision of what level of resolution - or level of analysis - to use.

If we take it as a given that we're always missing something, then the question is, exactly how much can we miss before it becomes a problem? The answer, it seems, depends on context - in other words, what are our goals, and what level of analysis do they demand? In other words, what level of detail is appropriate to this situation?

Complexity can be seen as noise, or entropy. It is a breaking-apart into ever more detail. The more detail we see the truer our picture. In this sense, the best map of the territory is the territory itself. And yet, we need our maps, our simple representations.

Sometimes short-cuts - low resolution interpretations - are useful and appropriate. But sometimes they prevent us from seeing something vital.

What are we leaving out? And is it important?

As soon as we look into something - i.e. remove the lid, the capstone, and see what lurks inside or beneath - we find that we are much less able to make simple generalisations about it.

From the outside, from a distance, it is easy to characterise things - perhaps due in large part to the fact that we are largely ignorant to their inherent complexity. A distant view gives the comforting illusion of simplicity.

So, for instance, I can speculate about the various problems of the education system, or the problems with teachers, but were I to become a teacher myself, I would not, generally speaking, find it as easy to make the same sweeping pronouncements. The field would suddenly have become much more complex, and I may find myself pulling back from definitive statements; easing on the brake instead of the accelerator.

The more I experience of life, the more I realise this seems to apply to everything. It may even lie behind Conquests Third Law: Everyone is conservative about what he knows best.

This implies that any firm judgement or pronouncement is always made in ignorance - by overlooking complexity - and as such every judgement, every bold move, can be criticised by making reference to the many details that have been overlooked - to all those things that have necessarily been ignored in order to provide the illusion of solidity and to make the judgement firm.

Definitions do not contain any knowledge [...] they are simply shorthand labels introduced in order to cut a long story short.

[Jeremy Waldron]
Karl Popper: Critical Appraisals, p. 222

"Why can't they get it together, they're so lazy"


What is "laziness"? Does "laziness" describe an element of reality, a "real" phenomenon? Does "laziness" actually exist?

"Laziness" is, amongst other things, an explanatory principle that we use to describe a category of behaviours.

From the endless profusion of reality - the continuum of events and things - we sketch out some borders, and tell ourselves that everything in between them will be referred to as "lazy." It is a handy fiction. Like all explanatory principles, laziness is a shortcut, a label we wheel out to stop us from having to dig any deeper, from spending any time. It is an adaptive invention that conserves energy, allowing us to get from A to B in the shortest possible time. If we can only cram so much information into our consciousness - concentrate on a finite amount of things - then our shortcuts allow us to get on with things, to get things done. They bypass the long route, because the long route is wasteful.

And so more often than not, we take the short one: "he is lazy." But if we use "lazy" then we should be aware that we are using a placeholder; that we are, in fact, marking something for further examination. The problem with a fiction like "lazy" is when it is literalised; when we begin to believe that the dragon really exists, and that it is embodied by this person, or that person.

When we look beneath "lazy" we begin to see a number of other things; more words rush in. We begin to see "preoccupied," "depressed," "afraid." We see these and much more. And then these words begin to crack and crumble, revealing further intricacies.

"Laziness" is not designed to hold reality, or to reflect it. Whilst pretending to describe reality, "laziness" actually works to keep us at arms length from it. The actuality that lies beneath "laziness" in an unexploded bomb: remove the lid - the label - and it detonates into a million pieces; a million fragments of reality - so many that we cannot hold them all, understand them all. They whirl around us, spinning us into a confusion. Perhaps then, it is best not to remove the lid, to look beneath "lazy."

But if we care about this person - this lazy so and so - then perhaps we owe them more than "lazy." Is "lazy" ever excusable? Maybe it just needs untethering from the reality that we hang around it, so that it can float up and take its rightful place, among all the other nebulous words.

Perhaps to use terms like "lazy" might just be plain ... lazy.

“I saw him every once in a while pass by, he was a very shy guy and tall, about 6ft 2in [1.88 metres]. He wasn’t very sporty, rather a little chubby,” said Stephan Baumanns, the 47-year-old owner of the Treemans bakery and coffee shop in the leafy Maxvorstadt neighbourhood.

“He seemed like a lazy guy. He had a job distributing a free newspaper, Münchener Wochenblatt, but I often saw him rather than deliver them, throw them all away into the garbage bin.”

''He seemed like a lazy guy': locals describe Munich shooter'

The choice is always the same. You can make your model more complex and more faithful to reality, or you can make it simpler and easier to handle.

Only the most naive scientist believes that the perfect model os the one that perfectly represents reality. Such a model would have the same drawbacks as a map as large and detailed as the city it represents, a map depicting every park, every street, every building, every tree, every pothole, every inhabitant, and every map.

Were such a map possible, its specificity would defeat its purpose: to generalise and abstract. Mapmakers highlight such features as their clients choose. Whatever their purpose, maps and models must simplify as much as they mimic the world.

[James Gleick]
Chaos, p. 278-9

Kinds, and sameness of kind -what colossally useful denkmittel for finding our way among the many!

The manyness might conceivably have been absolute. Experiences might have all been singulars, no one of them occurring twice. In such a world logic would have had no application; for kind and sameness of kind are logic's only instruments.

Once we know that whatever is of a kind is also of that kind's kind, we can travel through the universe as if with seven-league boots. Brutes surely never use these abstractions, and civilized men use them in most various amounts.

[William James]
'Pragmatism and Common Sense', Pragmatism and Other Writings, p. 80

[The historian] is back in his proper place when he takes us away from simple and absolute judgements and by returning to the historical context entangles everything up again.

The whole process of historical study is a movement towards historical research - it is to carry us from the general to the particular, from the abstract to the concrete, from the thesis that the Reformation led to liberty to an actual vision of all the chances and changes which brought about the modern world.

The volume and complexity of historical research are at the same time the result and the demonstration of the fact that the more we examine the way in which things happen, the more we are driven from the simple to the complex.

If history could be told in all its complexity and detail it would provide us with something as chaotic and baffling as life itself; but because it can be condensed there is nothing that cannot be made to seem simple, and the chaos acquires form by virtue of what we choose to omit.

There is a danger in all abridgments that acquire certainty by reason of what they omit, and so answer all questions more clearly than historical research is ever able to do.

Perhaps the greatest of all the lessons of history is this demonstration of the complexity of human change and the unpredictable character of the ultimate consequences of any given act or decision of men; and on the face of it this is a lesson that can only be learned in detail.

If history can do anything it is to remind us of those complications that undermine our certainties, and to show us that all our judgments are merely relative to time and circumstance.

So the last word of the historian is not some fine firm general statement; it is a piece of detailed research. It is a study of the complexity that underlies any generalisation that we can make [...] Indeed the historian is never more himself when he is searching his mind for a general statement that shall in itself give the hint of its own underlying complexity.

[Herbert Butterfield]
The Whig Interpretation of History, p. 69, 73-5, 97, 101-2

One of the main themes on which Taleb touches in The Black Swan, is "Platonification", or our tendency as humans to simplify.

We like to explain history by using general themes when, in fact, history is very complex and cannot be simplified into one theme and a few pages. We not only simplify history, but we also generalize problems and make simplifying forecasts. Our tendency to Platonify also leads us to depend on averages and to believe that the future will be average. We then miss the "Black Swans".

'The Black Swan, by Taleb'

When I wondered about the cause of the estuary die-off, an hypothesis may have jumped into your mind – climate change, the culprit du jour for nearly every environmental problem.  

If we could identify one thing as THE cause, the solution would be so much more accessible. 

As I was doing research for my book, I googled “effect of soil erosion on climate change,” and the first two pages of results showed the converse of my search – the effect of climate change on soil erosion. The same for biodiversity.

No doubt it is true that climate change exacerbates all kinds of environmental problems, but the rush to name a unitary cause to a complex problem should give us pause.

The pattern is familiar. Do you think the “fight against climate change,” which starts by identifying an enemy, CO2, will bring better results than the War on Terror, the War on Drugs, or the War on Poverty?

[Charles Eisenstein]
'Of Horseshoe Crabs and Empathy'

Innumerable kinds of causes and conditions are necessary to bring about [a person’s] action - social causes, educational causes, economic, political, climatic, nutritional, genetic, medical causes, besides the subjective and neural angles that we have noticed. Each of these sets of causes may partially explain the action. But none of them invalidates the others; there is room for them all.

The question which of them counts as the explanation in a given case depends entirely on our interests, on what we want to find out.

Current notions of determinism, however, allow specialists in any of these topics to feel that the whole logical space is theirs - that they alone possess the explanation. Thus we get the odd spectacle of many competing determinisms - genetic determinism, economic determinism, neurological determinism and so forth - where the claim seems to be that a single discipline has finally found the engine which runs all the other causes.

That is another trouble about current notions of determinism which needs to be sorted out. On large topics, this kind of tribal narrowness is always disastrous.

[Mary Midgley]
Science and Poetry, p.166

Let’s take a moment to define the difference between a behaviour that’s simple and [a behaviour that's] complex.

A very practical way to think about this is that when you’re presented with [a pattern], how easily can you summarise what you see?

If it’s just a uniform [pattern], you’re done. You have a quick description that gets you the complete specification of the pattern.

When we see things as complex, what’s really going on is that we, as human analysers of what we’re seeing, don’t get very far. We can’t [capture] the thing we’re seeing with some simple description. We’re just stuck with saying, ‘it is what it is’.

We may be able to give some ornate description of what’s there, but we don’t get to summarise everything in a sentence or two.

[Stephen Wolfram]
'Stephen Wolfram - What is Complexity in the Cosmos?'

[...] in the use of reason lies the eternal temptation to do with human data in experiment and argument what the child does with them in play: namely, to reduce them to a size and an order in which they seem manageable.

Thus human data are treated as if the human being were an animal, or a machine, or a statistical item. Much naive sense of power can be derived from the fact that, properly approached, the human being up to a point is all of these things, and under certain conditions can be reduced to being nothing but their facsimiles.

But the attempt to make man more exploitable by reducing him to a simpler model of himself cannot lead to an essentially human psychology.

[Erik H. Erikson]
Childhood and Society, p. 378

Society is composed of persons who cannot design, build, repair, or even operate most of the devices upon which their lives depend […]

In the complexity of this world people are confronted with extraordinary events and functions that are literally unintelligible to them. They are unable to give an adequate explanation of man-made phenomena in their immediate experience. They are unable to form a coherent, rational picture of the whole.

Under the circumstances, all persons do, and indeed must, accept a great number of things on faith […] Their way of understanding is basically religious, rather than scientific; only a small portion of one’s everyday experience in the technological society can be made scientific […]

The plight of members of the technological society can be compared to that of a newborn child. Much of the data that enters its sense does not form coherent wholes. There are many things the child cannot understand or, after it has learned to speak, cannot successfully explain to anyone […]

Citizens of the modern age in this respect are less fortunate than children. They never escape a fundamental bewilderment in the face of the complex world that their senses report. They are not able to organize all or even very much of this into sensible wholes […]

[Langdon Winner]
Autonomous Technology: Technics-Out-Of-Control

In the modeling of physics, a toy model is a deliberately simplistic model with many details removed so that it can be used to explain a mechanism concisely. It is also useful in a description of the fuller model.

In "toy" mathematical models, this is usually done by reducing or extending the number of dimensions or reducing the number of fields/variables or restricting them to a particular symmetric form.

In Macroeconomics modelling, are a class of models, some may be only loosely based on theory, others more explicitly so. But they have the same purpose. They allow for a quick first pass at some question, and present the essence of the answer from a more complicated model or from a class of models. For the researcher, they may come before writing a more elaborate model, or after, once the elaborate model has been worked out.

In "toy" physical descriptions, an analogous example of an everyday mechanism is often used for illustration.

'Toy model'

Models have to reduce the complexity of the phenomena being described, they have to leave something out.

However, we have no way of predicting the importance of that which is not considered. In a non-linear world where we cannot track a clear causal chain, something that may appear to be unimportant now, may turn out to be vitally important later. Or vice versa, of course. Our models have to “frame” the problem in a certain way, and this framing will inevitably introduce distortions.

This is not an argument against the construction of models. We have no choice but to make models if we want to understand the world. It is just an argument that models of complex systems will always be flawed in principle, and that we have to acknowledge these limitations.

My conclusion is that it is impossible to have a perfect model of a complex system. This is not because of some inadequacy in our modelling techniques, but a result of the meaning of the notions “model” and “complex”. There will always be a gap between the two. This gap should serve as a creative impulse that continually challenges us to transform our models, not as a reason to give up.

[Paul Cilliers]
'Boundaries, Hierarchies and Networks in Complex Systems'

NNT (that is, me): Assume that a coin is fair, i.e, has an equal probability of coming up heads or tails when flipped. I flip it ninety-nine times and get heads each time. What are the odds of my getting tails on my next throw?

Dr. John: Trivial question. One half, of course, since you are assuming 50 percent odds for each and independence between draws.

NNT: What do you say, Tony?

Fat Tony: I’d say no more than 1 percent, of course.

NNT: Why so? I gave you the initial assumption of a fair coin, meaning that it was 50 percent either way.

Fat Tony: You are either full of crap or a pure sucker to buy that “50 pehcent” business. The coin gotta be loaded. It can’t be a fair game. (Translation: It is far more likely that your assumptions about the fairness are wrong than the coin delivering ninety-nine heads in ninety-nine throws.)

NNT: But Dr. John said 50 percent.

Fat Tony (whispering in my ear): I know these guys with the nerd examples from the bank days. They think way too slow. Any they are too commoditised. You can take them for a ride.

Dr. John thinks entirely within the box, the box that was given to him; Fat Tony, almost entirely outside the box. 

To set the terminology straight, what I call “a nerd” here doesn’t have to look sloppy, unaesthetic, and sallow, and wear glasses and a portable computer on his belt as if it were an ostensible weapon. A nerd is simply someone who think exceedingly inside the box.

[Nassim Nicholas Taleb]
The Black Swan, p. 124-5

[A] 2D view of [a] cylinder is a circle from one perspective and a rectangle from another. Both are true “slices” of the reality of the cylinder; neither alone give a clear sense of the higher dimensional shape’s reality. Or even that the shape is indeed of higher dimension. Both are necessarily limited because they are reducing the reality (without realizing it) to a view that simply can not adequately contain it.

We can argue over which slice is more right…which once we’ve seen the undeniable partial rightness of each (from their own perspective), is of course just silly. Or we can hold that both are somehow true, despite being mutually exclusive descriptions of reality (from a 2D view)…and surrender to calling it paradox and give up on congruent understanding altogether.

Or we can take another reconciliatory approach and say that they are both partially true so we must find a middle path…which in this case, still embedded in 2D, looks like something half way between a circle and a rectangle… which comes out to be a kind of rounded-corner rectangle. Which is actually further from the reality than either the circle or the rectangle had been, since at least they were each true slices of the cylinder.

The problem of course is in the reductionism.

There is no 2D slice of a 3D object that gives a real sense of what it is. Neither is any 2D negotiation of slices going to yield something in 3D. The cylinder is not somewhere between the two reductionistic views: 50% circle, 50% rectangle… It is 100% of both descriptions…which are only mutually exclusive and paradoxical if they are trying to be reconciled in the same plane, which is the essential mistake. In the higher dimensional reality the object actually lives in, the simultaneous full truth of both partial descriptions is obvious and non-paradoxical…as is the seamless way they fit together as parts of a congruent whole.

This metaphor points to a clear limit to the extent of reductionism possible without losing truth and creating a basis for perceiving false dichotomies. The key insight is recognizing these differing perspectives as orthogonal to each other rather than opposite ends of a gradient spectrum. 

The recognition of orthogonality…gives us the cylinder, recognizes both lower dimensional perspectives as 100% true from their limited vantage point, and forces the recognition that a congruent picture is possible but requires a fundamentally more complex kind of perspective.

Our perception of existential paradoxes often comes from exactly this kind of process: believing in false dichotomies through reducing reality to conceptual slices that are true but partial to the point of actually requiring a seemingly mutually exclusive perspective to explain the full phenomena.

[Daniel Schmachtenberger]
'Higher Dimensional Thinking, the End of Paradox, and a More Adequate Understanding of Reality'

Fuzzy intersections are the realm of apparent paradox. For instance, they easily yield the set of men who are both tall and short […] Of course it is really an intersection of men who are partly tall and partly short. 

The contradiction arises from assuming crispness.

[Daniel McNeill & Paul Freiberger]
Fuzzy Logic, p.38

Think about a tree in an ecosystem - what is the value of that tree?

It’s providing a home for pollinators and birds, it’s stabilising topsoil, it’s symbiotic with the fungus and bacteria in the soil, it’s proving shade, it’s pulling out CO2 and producing oxygen, it’s proving food for animals. It might have millions of value-metrics as part of this complex ecosystem.

But then we cut it down to make it ten-thousand dollars worth of two-by-fours, and its value is ten-thousand dollars. And the two-by-fours [aren’t] sequestering CO2 and stabilising top soil  - they are serving as a structural strut, as one really simple thing.

So we took this very complex thing and reduced the complexity of it radically, and made it a very simple thing. We downcycled it, because the metric we were seeking to optimise was dollars in my account.

How do I relate the value of an elephant tusk, or a person’s art, or a tree - these should not be fungible, these are fundamentally different things.

But I remove all of the information from them and all of the context [because] I want them to be simply exchangeable in terms of capital, so that I can maximise the ease of transaction. [This] is an extinctionary dynamic.

We’re taking complex value and turning it into simple value.

[Daniel Schmachtenberger]
'46: Daniel Schmachtenberger - Winning Humanity's Existential Game' (23:00)

Consider […] the case of families. How are families established? What constitutes membership in a particular family? […] even in the simplest cases the boundaries of families are far from clear: there isn’t always a definitive answer to the question whether two temporally distant individuals do or do not belong to the same family […]

In many cases this answer will depend on the purpose with which the question is asked and on what is at stake […]

[...] family connections are immensely more complex than our usual representations of family trees can ever suggest. When we appeal to family trees, we are concerned to trace, for particular reasons, an individual’s origin to a particular source though a particular path […]

[…] but a moment’s thought shows how crucial our “particular reasons” always are in such situations. On one occasion, for example, we may want to […] see how all the central characters of The Forsyte Chronicles are related to Old Jolyon, the figure Galsworthy quite arbitrarily chose as the family’s founder […] Galsworthy’s neat [family tree] makes it easy to forget [certain branches in the family tree that are of] no importance to [his] narrative.

None of this implies in any way that Galsworthy was “wrong” to omit this information: he could not have included all of it even if for some strange reason he had wanted to do so. In fact it is impossible to say exactly what “all” the information would be in this [context].

[…] the specific path traced through what are actually indefinitely complex family interconnections is essentially conditioned by background interests and values […] Particular families are generated out of this network by means of operations that are essentially conditioned by specific interests and values.

But “in the actual world, in which everything is bound to and conditioned by everything else,” families are nothing like what these neat representations suggest. It is not just difficult but actually impossible to determine the family to which an individual belongs without assumptions dictated by our conventions, purposes, and values […]

Our concept of the family is tied to the idea of shared behavioural, morphological, or genetic features. But this is only because we are usually concerned with what is really the very short run, with the few generations within which such similarities may be important and obvious.

[Alexander Nehamas]
Nietzsche: Life as Literature, p. 100-2

There has been both over-reaction and under-reaction. Power grabs and abdications of responsibility to use power properly in crisis alike.

As a reaction, no one is thinking in superpositions. They are breaking off whatever pisses them off and reacting to that fragment.

Elon is breaking off the over reactions, power grabs and alarmist messaging creating panic. Those are real. But there are also under reactions and failures to act which he is ignoring. It’s multi-variate.

So expect everyone to rebel against the bungling with a simplified take.

[Eric Weinstein]

We cannot simply go from saying “things are ordered” to saying “things are un-ordered” and leave it at that; things are both ordered and un-ordered at once, because in reality order and un-order intertwine and interact.

Kostof puts it well in his description of cities: “. . . the two primary versions of urban arrangement, the planned and the ‘organic,’ often exist side by side. . . . Most historic towns, and virtually all those of metropolitan size, are puzzles of premeditated and spontaneous segments, variously interlocked or juxtaposed. . . .”

In other words, it is useful to artificially separate order and un-order so that we can understand the different dynamics involved, but we should not expect to find one without the other in real life.

[Cynthia Kurtz & Dave Snowden]
'The new dynamics of strategy: Sense-making in a complex and complicated world'

We like stories, we like to summarise, and we like to simplify, i.e., to reduce the dimension of matters. The [narrative] fallacy is associated with our vulnerability to over interpretation and our predilection for compact stories over raw truths.

Think of the world around you, laden with trillions of details. Try to describe it and you will find yourself tempted to weave a thread into what you are saying. A novel, a story, a myth, or a tale, all have the same function: they spare us from the complexity of the world and shield us from its randomness.

The narrative fallacy addresses our limited ability to look at sequences of facts without weaving an explanation into them, or, equivalently, forcing a logical link, an arrow of relationship, upon them. Explanations bind facts together. They make them all the more easily remembered; they help them make more sense [...] Myths impart order to the disorder of human perception and the perceived “chaos of human experience.” Where this propensity can go wrong is when it increases our impression of understanding.

[...] narrativity comes from an ingrained biological need to reduce dimensionality [...] Information wants to be reduced […] it is impossible for our brain to see anything in raw form without some interpretation [...]  Compression is vital to the performance of conscious work […] By finding the pattern, the logic of the series, you no longer need to memorise it all. You just store the pattern. 

Our propensity to impose meaning and concepts blocks our awareness of the details making up the concept. However, if you zap people’s left hemispheres, they become more realistic - they can draw better and with more verisimilitude. Their minds become better at seeing the objects themselves, cleared of theories, narratives, and prejudice.

Why is it hard to avoid interpretation? It is key that […] brain functions often operate outside our awareness. You interpret pretty much as you perform other activities deemed automatic and outside your control, like breathing.

[Nassim Nicholas Taleb]
The Black Swan, p. 64-9

When thinking of a category we normally visualise the clear cases, not the vague ones. Chair evokes a dining room chair, not a beanbag chair. 

Why do we focus on prototypes? In 1978, looking back on her work Rosch suggested that the purpose of classes was “to provide maximum information with the least cognitive effort.” There is a trade-off: information versus labour. And prototypes ease the burden. For instance, the eye can discriminate 7.5 million colours. If definitions were sharp, if blue ended at a single hue, people would need a pointless acuity of perception.

Cognitive economy also likely increases the speed of the brain, enabling it to work with essences rather than time-consuming fringe items […] words summarise, and prototypes summarise further. They catch the gist of the fuzzy set.

[Daniel McNeill & Paul Freiberger]
Fuzzy Logic, p.88

We evolved to make decisions very quickly based on a partial data scan, privileging our most recent experiences.

In modern cognitive science we don’t call these biases, we call them heuristics. Evolution doesn’t produce things that have no utility. So-called biases are actually heuristics that allow us to make decisions faster.

If you look at all of the so-called ‘cognitive biases’ they’re all about reducing the energy cost of making decisions. On average they pan-out better. Reduction in energy cost is critical in evolution, and particularly for humans because our brain takes up so much energy, disproportionate in many ways to its utility.

[Dave Snowden]
'Dealing with unanticipated needs – Dave Snowden' and 'Naturalising Sense-making w/ Dave Snowden. September 3rd, 2020'

Heuristics are simplified rules of thumb that make things simple and easy to implement.

But their main advantage is that the user knows that they are not perfect, just expedient, and is therefore less fooled by their powers. They become dangerous when we forget that.

[Nassim Nicholas Taleb]
Antifragile, p. 11

“Anger” is a cultural concept that we apply to hugely divergent patterns of change in the body, and there’s no single facial expression reliably associated with it, even in the same person. (Some cultures don’t have a concept that corresponds to “anger”, such as the Utku Inuit of Canada’s Northwest Territories.) 

The same is true, astonishingly, of “happiness”, “excitement”, “disappointment”, you name it. No emotion is tied to a single, objective state in the body. Rather, emotions are cultural artefacts.

Don’t babies and toddlers fuss and bawl at some obstacle long before they have a word to describe the feeling? And don’t the Utku also experience their blood pumping faster and their muscles tensing up when confronted with a difficult problem? The answer is that of course they do, but that “anger” is merely one interpretation of these events, a culturally specific attempt to give them meaning.

[Lisa Feldman-Barrett] argues that the universal components of human experience are not emotions, but changes on a continuum of arousal on the one hand, and pleasantness and unpleasantness on the other. The term for this is “affect”. It is a basic feature of consciousness, and people in different cultures learn to mould this raw material into emotional experiences in different ways.

[David Shariatmadari]

Complex dynamical theory [...] teaches that if you look only at the outside, as behaviourism did, differences both in the way information is generated and in the constrained pathways along which it flows will be overlooked. 

Focusing on the differences in […] starting points and the way these differences interact with the environment, on the other hand, can reveal a dynamical process. Even when the behavioral output (the trajectory's sink) is the same, the pathways taken to get there may be very different.

As a consequence of the modern paradigm, there was no way of explaining how some behaviors can be voluntary and intentional because they flow from an agent's meaning-bearing states, whereas other, empirically indistinguishable behaviors are not. Modern philosophy and science, as we have seen, were unable to account for, say, the difference between an involuntary smile and one commanded, which is now known to be a difference in trajectory […] 

And yet how successful the old modern worldview was! Pretending that everything is a closed, linear system gives the illusion that one can, without penalty, abstract from time and context, starting with the interference of friction. And doing so did indeed make many difficult problems tractable and yielded spectacular results. Who in the fifteenth century would have thought that planetary orbits could be so accurately predicted? 

But this tidy picture was doomed from the start, because the scientific and philosophical problems posed by the nature and behavior of open systems cannot be ignored. Very few people anticipated the mischief - and benefits - that the nonlinearity of positive feedback unleashes on the modern paradigm.

I propose that from now on the covering-law model of explanation (including its probabilistic incarnation) should be considered the limit of explanation, adequate for those phenomena that can be idealized as atemporal and acontextual. 

For isolated, linear systems, the covering-law model often works fine. For those phenomena, the tighter the inference, the better the explanation and the more accurate the prediction. For open, complex dynamical phenomena in which context-dependent constraints (both bottom-up and top-down) create interlevel interactions—that is, for phenomena which that "strange form of causality" progressively individuates and marks as essentially historical and contextual - the deductive model simply won’t do.

[Alicia Juarrero]
Dynamics in Action, p. 221

Such logic exists within a world of thought that operates using a structure of categories, something our own language does very well. This logic and language tells us that an object cannot simultaneously be a member of two mutually exclusive categories: An action cannot be both bad and good, something cannot be both subjective and objective, an electron cannot be both a wave and a particle.

Today we know that indeed an electron is both a wave and a particle. Niels Bohr suggested that within the quantum world science had to adopt what he called complementary descriptions - rather than having a single description that exhausts the phenomenon in question, science has to employ complementary, mutually contradictory, accounts.

The world, at the subatomic level, does not accord with the traditional way our English-Latin-Greek language structures reality.

As soon as we begin to drop our obsession with categories and boundaries in thought many of these problems and paradoxes fall away. Quantum theory constantly emphasizes that the context in which events occur is of key importance. Set up an experiment in one way and the result is particles. Do it another way and it must be interpreted in terms of waves. It is impossible to separate a phenomenon from the context in which it is observed. Categories no longer exist in the absence of contexts.

Within Indigenous science, context is always important. Nothing is abstract since all things happen within a landscape and by virtue of a web of interrelationships. The tendency to collect things into categories does not exist within the thought and language of, for example, Algonquin speakers.

This leads to a profoundly different way of approaching and thinking about the world. For, in the absence of categories, each thing is mentally experienced on its own merits, and for what it actually is. Rather than indulging in comparison or judgment, Indigenous speakers attempt to enter into relationship with them.

In English we have the general category of "fish," which is the result of classifying, in terms of differences and similarities, the various creatures that live in the water. It therefore becomes convenient within our minds to gather together objects of different shapes, sizes and colors and treat them all as members of the one category "fish."

The Algonquin family of languages, for example, does not make use of such categories or boundaries in thought. Rather, it is concerned with processes that are happening in the water and with the peoples' relationships to such processes. Iroquois languages for their part would tend to picture the world in terms of a complex web of relationships. Instead of using logic to reach a single truth, an Indigenous scientist is more concerned with achieving balance and harmony.

Within Indigenous science, language is irreducibly tied to landscape, culture, and thought. A non-Native linguist, Benjamin Lee Whorf, came to similar conclusions. As a result of his study of the language of the Hopi people, he found that their language reflects the non-Newtonian universe in which they live.

[F. David Peat]
Blackfoot Physics, p.233-4

Related posts:-
Taking the Rough with the Smooth
Standing the Strain
Digging Deeper
A Difference that makes a Difference
Which difference makes a difference?
How Simple is Too Simple?
Conscious / Unconscious
Escaping Uncertainty
Simply Put

Communal Blogging

It seems that everyone has a platform these days: a website, a blog, a twitter.

On the surface, much blogging may appear to be a pointless endeavour: if the information is already out there then why reiterate or regurgitate it? Do we really need someone else to tell us the same thing again? The internet is crowded with voices, and each one wants to share something with us. It can sometimes seem like there are too many, and that every new one only adds to an already overwhelming tumult. With a galaxy of voices vying for our attention, how do we choose who to listen to, and what to look at?

We should first consider that the act of re-telling may be useful for the person doing it. It may be a way for us to process the things that we blog about, and in contributing towards the culture we may not feel so overwhelmed by it. In truth, blogging could be providing a number of benefits for the blogger, and whilst seeming to be an act that is primarily in the interests of the collectivity, it may well be a process that means most to the individual doing the blogging.

But to sketch out only the more self-serving aspects of blogging would be to mislead. We could also frame it as a communal activity; an activity that is in service to the community. In this sense the blog becomes a kind of community notice board, or an aspect - a corner - of a larger board. Through blogging about things we bring them to the attention of the community, saying "I think this is important, and I'd like to share it." In this way we also share ourselves with the community - we develop a voice, become a citizen.

Blogging becomes a way of giving your "self" to the community, a way of becoming known. The blog itself acts as a point of communion, a locus within a larger constellation. It is a person in the absence of a person, a self-portrait in ideas, interests, worries, criticism. It becomes an entrance-point to an individual, a way to make contact.

So we could see the primary importance of our blogs as contributing to the life of the community. The idea of community that is proposed here may, however, be quite different from traditional notions based on a real-world locality. Instead of consisting of our village or town, or our circle of "meatspace" friends (those that we actually see in person every now and then), it would consist of our network of online familiars.

In this way, from the galaxy of voices and information we can begin to mark out our constellations, to make some sense. The use of the blog needn't be in what it contributes to the online cosmos, but rather in what it contributes to our online locality. Across the often impersonal sprawl of the web, these devices allow the idea of community to blossom.

Related posts:-
Community Service



[...] the banal everyday makes banal demands upon our patience, our devotion, perseverance, self-sacrifice; and for us to fulfil these demands (as we must) humbly and without courting applause through heroic gestures, a heroism is needed that cannot be seen from the outside.

[Carl Jung]
The Essential Jung, p.154

[...] unless we admit that we are not, and never will be, born equal, though we are all born with equal rights; unless the Many can be educated out of their false assumption of inferiority and the Few out of their equally false assumption that biological superiority is a state of existence instead of what it really is, a state of responsibility - then we shall never arrive at a more just and happier world.

[John Fowles]
The Aristos, p.10


Watching The U.S. Versus John Lennon I was struck by how often Lennon would "lose it". These were moments in which his act faltered, in which he was returned to 'all too human' form.

Whilst Lennon had always been a communicator through his music, his political activities required him to become a communicator of a different sort. The gravity of the messages he wanted to convey required a certain type of act. The act of "pop star" or "musician" wouldn't fit the bill. To communicate a message of love and peace, Lennon had to assume an archetypal role, to walk in the footsteps of others who have carried a similar message: names like Jesus, Buddha, and Gandhi, amongst others. Part of the reason why we hold these figures in such high regard is that they managed to stand the strain of the act that was required from them; indeed, they acted so well that we may even begin to forget that they were only human.

We are all, in a sense, acting. In fact, we could say that it is our ability to act, amongst other things, that makes us human. Animals generally cannot, or do not, act. A shark will not decide to 'better itself' by becoming a vegetarian, nor will a gazelle decide to 'be a man' and stand up for itself the next time a lion comes calling. The idea that we can be something other appears to be a distinctly human one, an upshot of our ability to imagine. In imagining we are able to think of alternate ways of being, ways that may often seem to contradict the image that our 'natural impulses' would hold us to. We imagine that we can be 'better', and in being better we must act. But this act needn't seem false. It is put on, and necessarily so: through putting it on we are able to craft ourselves, remould our basic image into the shape we want it to be. It is in this way that we become 'human'.

Thus, it is often when the act slips that we describe someone as being 'an animal.' In being an animal we fail to be human (which, from an animal's perspective is probably for the best. But from ours it is a slip, a regression). If we have a dim view of humanity then we may describe someone as being 'all too human.' Both descriptions concern a failure to maintain the act; the act of 'human' or 'something more than human.'

As a collective we have various structures in place to help us maintain the act. Laws remind us of the basics, and conventions and etiquette help us to tweak and refine our performance. Some people seem to be able to act better than others, and some acts seem to be worth more than others. Our collectivity offers us models that we can follow, and some of these seem harder than others. Buddhism, for example, proposes for the Westerner a truly difficult act, asking us to relinquish the sovereignty of our ego and to see through the idea of the "self." It's act eventually becomes a non-act; "enlightenment" a seeing-through of the act (or does the Dalai Lama still need to fight his instinctual urges? Does he still need to act?).

Maintaining the act involves a constant remembering. To stay on course may necessitate constant minor adjustments, because we all forget the way from time to time.

Lennon's act was a hard one. His message of love and peace posed a challenge to a Western society in thrall to the ego and entrenched in patriarchal values: rationalism, practicality, logic. Like those who exemplified his role in the past, he came under fire, and his act was truly put to the test. We see a number of these moments in the documentary. At one point Lennon is asked an irksomely earnest and 'ignorant' question by a reporter, to which he replies with an amusingly ironic quip. Another moment finds him being patronised by a woman from the New York Times, and he reacts with visible frustration and yet more irony.

We sense that he had to face a number of these moments, and his lack of patience becomes obvious. Of course, Lennon was only human, and we cannot blame him for letting the act slip. After all, it would take a truly exceptional person to carry - to live - the message of peace and love through these trying situations. But unfortunately this exceptionality is what his act required from him. When watching these moments I find myself wondering, how would the Dalai Lama handle that reporter? How would Gandhi have reacted to being patronized?

It seemed that Lennon was not prepared to make the sacrifices necessary for him to fulfill his role, which brings us to ask: did he understand the implications of the act that was required from him in the first place? Or was he simply not up to the task?

The way Lennon handles himself in these situations displays a crucial difference between him and the likes of the Dalai Lama or Gandhi. He is too quick to become defensive, to raise his shield and protect his self. As soon as he does this he enters into a battle and his ability to communicate is curtailed - an opposition is created, a situation that makes neither party amenable to the other. This self-protectiveness seems to indicate that Lennon was too entrenched, or attached, to his position; too attached to the idea of "John Lennon." To be a truly great communicator it seems that we must be able to abandon our position when needed, and we do this as a sacrifice to the Other, and to the whole. We do whatever it takes to keep open the lines of communication. When Lennon was tempted into ironic remarks, to taking up the gauntlet of a battle, he forgot the duty that his role demanded of him. In these moments he was thinking of himself, not of the Other.

If we consider Lennon's perspective an enlightened one, then his frustration often seemed to be due to the sheer amount of ignorance that his role forced him to come into contact with. He was trying to communicate an enlightened message, but was thwarted by a lack of understanding, or, in many instances, an unwillingness to understand, or to even listen. It seems an inevitable outcome of this scenario that he should develop an "us vs them" attitude (in fact, Lennon probably already had this attitude from quite early on; he talks about trouble in school, about always seeming to be on the outside).

And yet, if we consider ourselves to be in any way "enlightened" and others to be ignorant, and if we care about the well-being of the whole, then perhaps we have a responsibility to those who we consider less fortunate than ourselves. If we are attempting to communicate a message of enlightenment, a message that we expect to bring positivity to the community, then is it not our duty, not only to the collectivity but to the message itself, to put the idea of communication first, and to serve the message in whatever it demands?

If we are 'enlightened' then is it not an abuse of our privilege to gain a laugh at the expense of the 'ignorant,' or to engage them in a battle? Likewise, we may become frustrated, but it is our duty to prevent our frustration from spilling over into anger and acrimony, and from polluting our good intentions.

Comedian Bill Hicks frequently alludes to an "us vs them" divide in his routines; he is enlightened - he knows good music, and sees through the hypocrisy of much of modern life - and if we are with him, if we see this too, then we are also enlightened. We are a part of "us" and we probably know who "they" are all too well. But there is a subtle form of arrogance running through this "us vs them-ism." Hicks doesn't appear to equate enlightenment with responsibility. His frustration at the ignorance of others is palpable, and we sense that he feels compelled to use his enlightenment as a weapon, perhaps as much to defend himself as to attack others. As with Lennon, he seems to feel that his position needs to be protected, and his routines become a form of pre-emptive attack. The underlying narrative is a battle, and Hicks is first and foremost interested in the sovereignty of his own position before the well-being of the whole.

Whilst we oppose those who are unenlightened, there will always be a divide across which communication fails, an us vs them situation. If we believe ourselves to be enlightened, and if we want to communicate a message - a message that we believe is of benefit to the collectivity - then we must consider the responsibility that these things demand of us. If we preach an enlightened message whilst undermining it through our words and actions, then we are doing no more than playing a game; a game that has a vested interest in maintaining the status quo, the us vs. them. Our games allow us to declare that the emperor has no clothes, as long as we don't then chop off his head.

Of course, we may often be interested in no more than game-playing, and this may well be the case for Hicks. His us vs. them-ism is a cornerstone of his humour, and without it his act probably would have been very different; or, indeed, may not have existed at all. With Lennon things seem to be different - he ostensively set out to communicate a message as far and wide as possible, and it would be a betrayal to this message to find that he was, if only unconsciously, playing a game. As with Lennon, our act may demand that we go beyond our games, and if we believe in the act then must listen to it, and do whatever it takes to remain true to the role.

Related posts:-
The Larger Mind

Assuming a Position


"The kind of blogging I do has to be based in personal obsession, in spats and rivalry, in a kind of light, oblique but perpetual autobiography. There has to be a subject for all this data to make any sort of situated sense, and that subject has to be seen to have a body, clothes, a way to wear those clothes, and so on. As soon as I get tugged out of that embodied, situated world I get bored and anxious and mistrustful. I want to know always who's speaking, how old they are, what culture they were raised in, what their vested interests are, and so on.

For me, the Anon is suspicious because I can't see what s/he looks like or what life his/her comment is rooted in. For the Anons (or some of them), I'm the suspicious one, because my comments are far too obviously rooted in an ego, a persona. The Anon's habitual mode of attack is therefore ad hominem, but since it comes from -- apparently -- no-one it could also be described as ab nemo."


"To disagree with three-fourths of the British public is one of the first requisites of sanity"

[Oscar Wilde]


What is a "position"?

Psychologist Eric Berne described a position as a "simple predictive statement which influences all of the individual's transactions [...] Unless something or somebody intervenes, [a person] spends the rest of his life stabilizing his position and dealing with situations that threaten it: by avoiding them, warding off certain elements or manipulating them provocatively so that they are transformed from threats into justifications."1

We could see a position as a castle. We may live within it, and we may, when we need to, man the barracks and defend it against attack.

When we look for someone's position we are looking for their epistemology; the ideas and beliefs that lead them to think and act the way that they do. To see their castle is to see the individual bricks that it is composed of, and, if we look hard enough, it is to see the foundations upon which it rests.

In understanding a person's position we bring perspective to our image of them, framing their behaviour within a larger picture. When their thoughts and actions no longer clutter the foreground, we are able to relativise their claims to truth; instead of being the whole truth - transcendent, impersonal - they become someone's truth. A person's position is the centre of their individual mythology, and both influences, and is influenced by, the stories that they tell themselves about the world. To see a position is to see a person's fictions, the meanings and values that are guiding them.

When we can see a story, and when we can frame this story within a network of alternative fictions, we may feel less threatened by its otherness. For example, when Oscar Wilde tells us that "The first duty in life is to assume a pose", we may find his words incommensurable with our own experience, and may reject his statement as false. If we understand Wilde's background - his fiction - and can see his position, then we may be less tempted to reject his statement on the grounds of its truth. For Wilde, the idea of the pose may have been an important one in giving meaning to life, and it may be that it could also mean something to us. Be if we take his truth as literal - as objective, as transcending the realms of subjective fiction - then we are forced into a corner, into either accepting his truth and modifying our own position accordingly, or rejecting it outright. If, on the other hand, we are able to relativise his truth, and to frame it within his position - and this position within a system of multiple positions - then our tight corner disappears. His truth can exist without threatening to annihilate ours.

Because it is no longer in the foreground, making claims to universality and thus threatening our own truth, we may feel more able to approach, and entertain, Wilde's idea; to visit his castle, look around, note the structure, the decor. To see his position, and to frame it within a landscape of alternative positions, is to allow it room to exist.


Monotheism & Polytheism


We may often fool ourselves into thinking that there is such a thing as a definitive position, a castle of castles, and that we may inhabit it, or that someone else may. This belief springs from what we could call a monotheistic view: it has in mind a "perfect castle" and measures all others against this standard. When we're in a monotheistic mode (thinking with the mono-view) then we may come to think that we'd prefer it if there was only one castle. The fact that there appear to be many becomes something of an inconvenience - how, after all, do we know which one is the "right" one? Perhaps we can see from a distance whether a castle fits the bill or not, but appearances may be deceptive. We may have to visit each one and check. This is, of course, to assume that we've managed to make it out of our front door in the first place. It may, after all, be easier to decide that ours is the "right" one and leave it at that. That way we won't have to get tired wandering around, and we won't risk getting lost on the journey.

The monotheistic view has its roots in the Christian tradition, and the idea that there is one God, and one way (thus, one castle - "God's castle"). This one way - the "true path" - is exemplified through the figure of Christ, and to deviate from it is to live erroneously.

We find an alternative view in the form of polytheism, which has its roots in the Greek tradition, and the idea that there are many gods, each representing different facets of the human psyche. The polytheistic view invites us to think in terms of modes.

If we consider our castles with the polytheistic view, then we see that there is no such thing as a definitive castle. Instead of being inconveniences, the differences between castles can become points of interest. We may marvel at how much other castles seem to differ from our own, and from each other. We may find that when we are in a certain mood we prefer one castle and not another, that our different moods (or modes) seem to draw us towards different castles. Above all, we are able to appreciate this difference between castles, and our journeys and visits give us occasion to celebrate it.

In the monotheistic mode multiplicity may have a tendency to become a nuisance. If our way is the right way, then theirs musn't be. Likewise, if theirs is the right way, then we must be in the wrong. By defining a "right" path, monotheism also creates a "wrong" path, and when we see the world through its lense we may be tempted to categorise what we see in terms of this opposition, amongst others. But slip into the polytheistic mode of thought and we suddenly become open to the multiplicity of possible positions, realising that one may be no more "true" than another.


Remembering the Balance


Society is, at best, a system that manages to combine many disparate elements whilst maintaining some sort of balance between them. If this balance was not maintained then the system would degenerate in one way or another, before either finding a new balance, or collapsing. In this sense, we can see society as an eco-system, much like the kind that we would find in a forest. Balance between its various elements is key, not only to the survival of the system, but to the survival of the individuals within the system.

Now, let's imagine that within our forest there is a badger that has somehow managed to get it into its head that to be a badger is the "right" way to be, and that all other forms of existence are inferior and irrelevant compared to his. Not only does our badger have a monotheistic view, but he also has a rather militant spirit and has somehow acquired destructive technology and the know-how to use it. Suffice it to say, the fragile balance of his forest will not last long. Perhaps what our badger doesn't realise is that without his environment to sustain him, he will soon be a goner too (or perhaps he is a nihilist to boot).

Of course, destruction may not be the only way our badger may go about his path of domination. If he can't abide the thought of killing, he may instead choose to convert all those around him to his position. Suddenly the palette of the forest become dominated by two non-colours, as everything is painted in black and white. Hole digging and meat-eating likewise become the norm. In no time our badger has managed to implement a forest-wide monoculture, saving himself the bother of investing in all that expensive weaponry.

Our badger has made the mistake of taking his "badgerness" literally. His belief in the correctness of his own position has blinded him to the fact that he lives within a balanced system, one that requires its multiplicity - the difference between its elements - for its survival. He is short-sighted, unable to understand things beyond the four walls of his castle, the confines of his position. When he looks out of his windows he sees only confusion, and deviation.

His confusion is, perhaps, understandable. He has become so accustomed to the look and feel of his castle that all others naturally appear foreign and deviant. He has forgotten the truth of his castle: that it hasn't always been around, that it was built brick by brick. Perhaps he built it, or perhaps someone else did, but it was built.

To avoid confusion, let's leave our badger in his castle and return to the human world. Within a forest we are talking about the differences between species, whereas within a human society we are talking about the differences between people. The badger is confined to his castle, his position as "badger" - he has no choice but to take his position literally. He would probably find it very difficult to start flying if commanded to do so by a domineering bird. As humans we have freedoms that the badger does not; we can imagine other ways of being, and we can, within limits, move between them. So whilst the badger may be confined to his four walls, the same is not, strictly speaking, true of us.

Much of the time we may forget that we also live within a balanced eco-system. To truly believe in the sovereignty of one position over another is to overlook this balance. It is a belief founded on a confused epistemology. For example, in the popular Western consciousness, certain values often appear to be held in higher esteem than others. Our consciousness is entrenched in a rationalist perspective; we see the value in things like science and commerce because their projects appear to make sense: in other words, the logic that underpins them is easy to identify. Science cures diseases, and gives us new technology - it answers questions, and solves problems. Commerce makes the world go round. Things like art and religion seem to make less sense; they often raise more questions than answers, and any answers they do provide are generally not certifiable by "scientific" standards. Their logic is, from the rationalist perspective, obscure and confusing.

If we are too entrenched in our position, and if that position has at its roots these rationalist ideas and values, then we are bound to overlook the necessity of things like art and religion to the balance of the system. We may not believe that we need these things at all, that they are an aberrance, and we may wish that they did not exist. If we were able to act on this belief, and if we had the means to eradicate these ideas, then we would be making the same mistake as our badger; from a simple lack of insight into the wider balance of the system, we would be tipping it into a potentially disastrous imbalance.


Battles and Challenges


It is our contention that within a monotheistic framework we are more tempted to preserve the sanctity of our position - to arm the battlements - when faced with the position of the Other. Another castle represents a threat to our own, and more often than not a battle ensues. Battles are a form of game-playing: if our interest lies solely in preserving our position, then we will play to win and nothing more. A battle is a very specific and narrowed form of communication; its main messages are, "I am right and you are wrong" and "I will show you that you are wrong". It is not a place for indecision, vulnerability or doubt - and if we decide that these things are requisites for a constructive dialogue then we cannot see a battle as "constructive."

Yet, a battle, like a game, can also be enjoyable. It structures time, gives us something to do, and can be exciting. It allows us to exercise certain aspects of our being, to flex and thrust. But we would be mistaken in thinking that we are engaging in anything other than the reification of our own position. Once arms are laid down - the pose seen through - a more nuanced form of communication can begin.

A polytheistic outlook allows us the room to be more amenable to foreign words and deeds. Of the two, the polytheistic view appears the wiser, but, because it can lead to relativism, it must also go hand in hand with a willingness to have our own position challenged. It can become all too easy to use a position to dismiss the thoughts and actions of others - "Of course he would say that, because of who he is (but I needn't take heed, because my position is different.)" - and so we become immune to the challenge that is posed by 'otherness'. In avoiding conflict like this, we would again be making a mistake similar to that of our badger earlier on, an error based upon a limited view of the ecosystem. We would be overlooking the possibility that contact (in its varying forms; conflict, negotiation, exploration) is a necessary and healthy occurrence. In avoiding conflict entirely we have essentially tipped the balance in the opposite direction; where formerly our badger sought to assert the sovereignty of his position through the annihilation of all other positions - through sameness - he would here be asserting his sovereignty through relativism, through difference. Both paths have in common the refusal to have his own position challenged.

The battle, then, becomes the refusal to be challenged, and the challenge can only take place when the battle ends.


Common Ground


A wise man once said, "those who are awake have one world in common, those who are asleep live each in a private world."2 Perhaps this one world, this common ground, is that area outside of our castles; and when we are able to step out of our front door - to leave our position behind - we become truly "awake." Awake in this sense would mean untangled from self-interest, from the concerns that go along with living in a castle. After all, a castle can often be self-perpetuating; it provides comfort, a place to live - but if we are to continue living within it then we must maintain it, and, when necessary, we must defend it. To step outside of the castle is to put its demands in perspective, to see that looking after our castle may not be the be-all and end-all. Thus, in many ways, to enter the common ground is to become liberated.

With this in mind, when we are faced with the behaviour of others we can ask; does this behaviour come from within a position, or does it come from without - are they still standing in their castle, or are they in common ground? In short, is their behaviour entrenched or transcendent? Because to understand where behaviour comes from, is to be able to form a more nuanced approach towards it.

We've seen that we all have our positions, our castles within which we exist. We've examined the ideas of monotheism and polytheism and how these outlooks can affect the way we see others' positions as well as our own. We've seen that understanding a person's position can make us more amenable to their 'otherness', but we've also seen the importance of having our own position challenged. Having seen these castles, our own and those of others - and having seen the distance between them - we must be willing to leave our structures for a while, and to take a trip. We must be willing to knock on some doors, and to ask to come in.

In the last, it may be that no-one has a sovereign position, that no-one is so enlightened so as to see the full workings of our ecosystem. The monotheistic view may make us believe that this view does exist, but it leaves us in no doubt that there is only one who is able to see this way: God. With its pantheon of gods, polytheism blows this model apart, allowing us to structure our thought in a different way; one that may be more in line with a world that has at its heart no certainties, and no definitive positions.


1 Games People Play, p.42
2 Heraclitus, as paraphrased by John Fowles in The Aristos, p.216


In fact, how can we let ourselves be moved to pity unless by transporting ourselves outside ourselves and identifying ourselves with the suffering animal, by quitting, so to speak, our own being in order to assume his?

The commiseration will be the more energetic, the more intimately the spectator identifies himself with the sufferer [...] It is therefore quite certain that compassion is a natural feeling which moderates in every individual his self-esteem, and contributes to the mutual preservation of the entire race.

[Jean-Jacques Rousseau]
Émile, p.115-20
Discourse on the Origin of Inequality, p. 92, 94


My announcement at the end of September that Click Opera would end in February elicited some interesting reactions. The bit that seemed to spark the most empathy with Simon Reynolds and Mark Fisher was my anti-dialectical, anti-democratic point (if by dialectics and democracy we mean OMG WTF Web 2.0 ghost-sparring) that "Click Opera has been a sort of karate course, and its comment facility has taught me to be more dialectical and -- above all -- the skill set of prolepsis, of anticipating reader objections.

But is a more moderate, accessible and dialectical me really what the world needs? Doesn't the world need an immoderate, outrageous and concentrated me, just laying out things that only I could think, no matter how wrong they may be?"

Simon Reynolds on his Blissblog responded: "Yeah I agree prolepsis sucks, it seems to have taken a lot of the categorical oomph and thrust out of writing, unless you're just utterly bullheaded you will inevitably find yourself riddling what you do with qualification and nuancing... Strangely, prolepsis rarely seems to afflict comments boxers... but i guess they can shelter under aliases or "anonymous," they don't have to own their utterances in the same way."

Mark Fisher makes a similar point on his K-Punk blog: "For me, the answer is clear - I certainly don't want writers who "respond to criticisms", who patiently deal with "feedback", no matter how hostile and uncomprehending. I want writers who have the courage to pursue their own lines. What's interesting, I suppose, is the libidinal impulses at work in those who don't want that - who would rather have a writer spending their time on discussion boards and in comments boxes defending themselves, nuancing their position into innocuous irrelevance, or effectively abandoning it altogether in the name of some vacuous commitment to "debate".

'Tactics, not skirmishes'


Related posts:-
Escaping Uncertainty
Do Not Disturb
Rules of Engagement
Being open to the new 
This, Not That 
The Eternal Ideas
You ought to be more like me 
Walk a Straight Line 
Left Out